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Scanned image of the book's front cover Francesco Colonna. 
Hypnerotomachia Poliphili: The Strife of Love in a Dream. The entire text translated for the first time into English with an introduction by Joscelyn Godwin, with the original woodcut illustrations.
London: Thames and Hudson, 2005 (hardback was 1999).
ISBN 0500285497;
ISBN-13: 9780500285497.

Paperback, perfect bound.
154x229x31mm.
xix,476pp, monochrome woodcuts throughout. 
English.
Unused bargain: these copies are a little grubby with some mild shelf wear to the covers, not otherwise not seriously damaged; although they have stickers on their back covers reading "Maybe damaged, not exchangeable", the normal medievalbookshop returns policy does apply. 

This item £6.50 
[Publisher's price £12.95]
729g. 

How to order this book

Hypnerotomachia Poliphili has been called the first stream-of-consciousness novel, and is one of the most important documents of Renaissance imagination and fantasy. The author (thought to be a friar of dubious reputation) was obsessed by architecture, landscape and costume – it is not going too far to say sexually obsessed – and its woodcuts are a primary source for Renaissance ideas on buildings and gardens.

Exactly five hundred years after its first publication, by the great Venetian printing house of Aldus Manutius, Francesco Colonna’s weird, erotic, allegorical antiquarian tale, Hypnerotomachia Poliphili, was translated into English and reprinted in full, together with all of its 174 original – and enchanting – woodcut illustrations.

Long prized by generations of scholars, this classic book, now in paperback, has at last gained the wider audience its genius merits. Its central role in the plot of the international bestseller The Rule of Four has also brought the book's beauty and intrigue to popular attention.

This translation was first published by Thames & Hudson in 1999 in a large format that exactly matched the original in size, design and typography. This new edition reproduces the first in everything but size – it is about a third smaller. It retains all the text and illustrations and is easy to handle and read.  



Related pages on this site: | Renaissance | allegory | architecture | history of printing |
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